Pop Music Notes

“It’s Only” Lame

November 6, 2009 · 6 Comments

Gokey AudtionsSo Kris, Adam, and Alison have all dropped their first singles, which meant that Danny Gokey’s first offering couldn’t be too far behind. Courtesy of MJ’s Blog, here is “It’s Only”:

If you want to see a perfect example of someone that is so desperate for fame that they will latch on to anything that seems to resonate with the public, here’s your man. The song itself is calculated religious country at its worst, and makes “Jesus Take the Wheel” sound downright transcendent. The “whoa ah ohhh”s at the end of each chorus are just bizarre, and the desperation of trying to find a niche on the first try is palpable. Only adding to my disappointment is the fact that one of my favorite country groups, Lady Antebellum, had a hand in this by writing this drivel.

If you think that I was waiting for a flop, you might be right. I am not a fan, and his prominence in the early going was one factor that caused me to abandon ship this year. Having said that, if Gokey had come out with something stellar, I would have been the first to admit I was wrong. No surprises today, though. This is the calculated lameness that I expected from a contestant who seemed hell-bent on making it big, even on the back of his wife’s memory. Danny’s got his fans, and I am sure I will catch some grief for this, but I don’t claim to be the voice of the people, so to each their own. I am just not hopping on this crazy train.

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Video Notables – Mini Viva

November 3, 2009 · 7 Comments

With a big ol’ h/t to Scopitone Saturday, here’s the new Mini Viva video for “I Wish”. SS notes that there has been a buzz about the track being as epic as GA’s “Untouchable”, and while I agree it doesn’t quite hit that height, this is a pretty solid second offering from MV, and worthy of a near-comparison. Here’s hoping that they can keep up the output. We may be looking at the Saturdays of ‘09.

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Video Notables – Adam Lambert

October 21, 2009 · 4 Comments

Wow…how quickly was Adam absorbed into the corporate pop machine? “Time for Miracles”, from the upcoming movie 2012, is as slick a power soundtrack ballad as they come, and the video is as cheesy as you would expect. But it’s really about the song itself, and that song is pretty decent compared to the usual movie-closing filler. If Adam can carry a tune like “Miracles”, his solo debut coming out next month should be monumental.

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Keeping Up with the Gossip

October 20, 2009 · 6 Comments

In an age where a successful tour is measured in terms of spectacle and bang for the buck, it is very easy to lose sight of what brought you and those artists together: the music. We want the biggest bang for our buck, and if anything even remotely doesn’t measure up to our expectations, you can count the seconds until someone starts demanding a refund. That is why I am still in awe almost a day after watching the Gossip tear it up live last night.

First off, I am a little disappointed in my fellow Denverites, who did not make the show a sell-out, but trust me when I tell you that the folks that did fill the lower level of the theater did a fine job of making the bands welcome. I thought I was beyond being an active participant at concerts, but last night found me dancing around enough to qualify for entrance to the mosh pit. I may have had a couple of beers, but the music did the majority of the work.

Men LiveOpening act Men (which confused me at first, based on the Gossip’s Music For Men) got things going on the right foot with their fun synth-pop that sounded like what you would expect if Depeche Mode had started up about 20 years later than they actually did. Le Tigre came to mind as a comparison, and it turns out that JD Samson of Le Tigre fronts the group. I would not have known him if I walked past him on the street, but their set was a blast, and I would go to their show if they came back to town. Signs, chainmail, house helmets and tight red pants are all visuals that will stick with me for quite a while.

While Men was playing, there was this woman down close to the stage dancing around and having a blast, and she had the brightest pink hair I have ever seen. I feel pretty dumb right now, because it turns out that it was lead singer Beth Ditto, hanging out in the crowd and enjoying the opening act. I am not sure how Beth could be cooler to me than she is, but once I realized who it was, the cool quotient just took off. It wasn’t just the hair that caught me off guard, though. Beth is a bit shorter than I expected, but once she took the stage and took control of the audience, all that mattered was her presence, which owned everyone in attendance. Seeing her play some festival stage seems like a mandatory show for my future.

Beth Ditto LiveMusically, I was blown away by how a foursome could sound so much bigger than their individual parts. Hannah Blilie’s driving beats, Nathan Howdeshell’s guitar riffs and Beth’s powerhouse vocals combine for an infectiously rocking experience, and Chris Sutton’s killer bassline propelled the band’s music throughout their set. Normally I will feel one or two lulls in a show, but the Gossip were not having it. From the opening bass of “Dimestore Diamond” to the encore performance of “What’s Love Got to Do With It”, the show was relentless, and I loved every minute of it. Highlights for me were “Heavy Cross” and “Pop Goes the World”, although there wasn’t a dog in the bunch. My biggest disappointment was not getting to hear “Standing in the Way of Control”. I figured that was a given, but the set did lean heavily on the current record, so it’s only a small blip on an otherwise amazing show.

In between acts, I got a chance to talk with Tara from their management company about where they are heading from here. After they complete their trek across the U.S., it’s off to Europe for a month of shows, and then Australia gets blessed with their presence. For those of you who didn’t get to see them on this leg of the tour, there should be a second U.S. tour in the spring that will focus on the southern states (Atlanta, anyone?). Hopefully Denver showed out enough to get a return engagement. If another show does pop up, I will be going door to door recruiting folks to go, because that show rocked my world. If they come to your town, go. They are worth every penny of admission.

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Baby Are You a Centipede?

October 17, 2009 · 6 Comments

Our savior from the Black Eyed Peas juggernaut, Jay Sean, may have given up his hold on the top of the Hot 100, but “Down” is still just about everywhere I turn these past few weeks. I have watched the video a couple of times, but while watching it this morning on the VH1 Top 20 Countdown (#1, btw), Rebbie Jackson’s epic video “Centipede” came to mind. Watch ‘em both and let me know what you think…

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JLS vs Taio Cruz

October 16, 2009 · 10 Comments

Did some major turf war break out in the UK? Well, no. This is what happens when I am stuck in traffic with Radio 1. While I was grooving to “Break Your Heart”, my mind started thinking about Taio’s chances here in the US, and that lead to fellow UK R&B crooners JLS. So what are the chances of either of these acts even getting a chance to crack the American market, let along actually get a hit? Check out the breakdown below…

Taio Cruz – “Break Your Heart”
“Break Your Heart”, at least to my ear, sounds like a male version of “Just Dance” that doesn’t need Akon as a guest because, well, Taio handles that part of the equation just fine. This record would fit perfectly into the current pop landscape, and GaGa’s stratospheric rise proves that the marketplace is open to a complete unknown making it big. Is there a drawback to this record? Honestly, it would be Taio’s name. Could be a blessing or a curse. But that’s a minor drawback. If his A&R folks back in the UK aren’t already grooming him for the US, they should have their heads examined.

JLS – “Beat Again”
Even though these X Factor veterans are already on single #2 (“Everybody In Love”), the only chance they have of breaking in America right now is their upbeat jam “Beat Again”. Sadly, I don’t know that this is the environment to try and reinvigorate the boy band concept in the US, although the makeup of the band is perfect from a demographic standpoint. You’ve got the buff guy, the skinny one, the more realistically good looking dude, and the average joe. Someone for everyone!

Winner? Not even close. Taio should have a happy career ahead of him here in the US, as long as his handlers get it right.

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Video Notables – BEP

October 12, 2009 · 3 Comments

You would think that with the collective damage that the Black Eyed Peas have done via their chart domination over the past six months, I would take a step back and avoid any BEP-related posts. Apparently, I am a glutton for punishment. Here is their new video for “Meet Me Halfway”, which finds our foursome on some kind of quest to find…eternity? Each other? L.A.? The solution to Rubik’s Cube? No clue, but the song is still one of my favorites for the year so far.

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Video Notables – New Country

October 7, 2009 · 4 Comments

Two country-pop videos for you today. Video number one is a bonafide hit with a bizarre video to accompany it, courtesy of Carrie Underwood. She’s heading for the top of the country chart in no time at all, but honestly, what does this video have to do with a “Cowboy Casanova”?

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On a much more classy note, here is the newest video from Sugarland’s Life on the Inside entitled “Keep You”. The song follows in the footsteps of their massive hit “Stay” with a slow burn, but the video has a strong impact for a such a simple premise. One more example of how the right song combined with the right video can be magic.

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Dynamic Symmetry

October 6, 2009 · 4 Comments

BLewis BlueWhen I decided to write up a review of the new Blake Lewis CD Heartbreak on Vinyl, I did so with a bit of hesitation. Not only do I know several people in the blogosphere will be looking at this release quite closely, but also because I really loved his debut CD, and no one likes to be disappointed, right? It’s not like I haven’t had a good idea of what is on the CD from the preview tracks “Binary Love”, “Heartbreak on Vinyl”, and current single “Sad Song”. The good news is that this record ups the dance quotient exponentially from Audio Day Dream, while holding onto the clever wordplay that helped ADD become a standout 2007 release.

I could rave about the title track for several paragraphs, but the first real standout track for me is “Freak”, which finds Blake flirting some authentic dancefloor beats that mix with a trance-like feel. “Rhythm of My Heart” goes straight for the 80s era synths with some beatbox scratching in the mix, and then “Afraid” comes back to 2009 with potentially the most radio-friendly track on the CD. While they are all dance tracks, each track has a distinct style. Having said that, the common denominator is the way that Blake takes the lyrics of each track and uses them to build the vibe of that particular songs. These are not songs where a melody is written first, and then the lyrics are written to fit that melody after the fact. The music, the beats, and the lyrics all come together to establish a mood that is greater than each individual part could do on its own.

BLewis HeartbreakHeartbreak, for all of the strengths, still has one glaring issue that slows down the middle of the disc. For me, the production on some tracks that sounds a bit amateurish. “Left My Baby For You” is a good example, where some of Blake’s repeated lyrics just sound flat and don’t really go anywhere. It’s like you are waiting for this great rollercoaster, and then your car goes down the first hill just as slow as it went up, even though you are waiting for top speed.

It wouldn’t be a Blake Lewis CD without a beatbox track, but on this disc, he keeps it to a one-minute track called “SuperScratchaVocalisticTurnatableLicious”, and it works because it’s just a quick vignette, and then we are back into the lyrical content. “Our Rapture of Love” is the first mellow song, reminding me of slower tracks on classic dance CDs like Kosheen’s first album, and then “The Point” steps a little bit away from the dance tracks, providing a vocal highlight for Blake. With all of the vocal acrobatics and beatboxing that Blake is capable of, it’s great to hear a track where he just sings, and sings well.

BLewis CloseupOverall, the CD is terrific. In a world where dance albums are often just a lot of filler to milk buyers looking for one killer jam, Heartbreak makes sure it doesn’t break your heart with inferior material. Blake kept his promise about the material being more love-related, but it’s not a sappy collection at all. In fact, the appropriate response to this kind of love is to hit the dancefloor and dance. Mission accomplished.

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Random Notes – 10-05-09

October 5, 2009 · 4 Comments

Noisettes Banner- If you haven’t done so already, check out the contest to win one of three Noisettes CDs. The winners will be announced this weekend.

Alphabeat Spell- Current songs that sound really good on the radio: Alphabeat’s “The Spell”, which is up on Radio 1 in advance of its release on October 18th, and REALLY needs to see a US release; Britney’s “3″, which I heard coming out of David Guetta’s “Sexy Bitch”, making for a pretty impressive (and surprising) one-two punch; and Carrie Underwood’s “Cowboy Casanova”, which needs to see a pop radio push at some point in the near future. Even in its original form, it is incredibly catchy.

Crazy Frog Wal Mart- Who decided that Crazy Frog needed a new album, let alone one that’s an exclusive to Wal-Mart? And how disturbing is it that “Cha Cha Slide” is among the tracks covered? Or “Last Christmas”? Thankfully, there aren’t samples on the website, or I might be typing wounded right now.

- Idolator has some detail on FTC regulations going into effect in December which will require bloggers to disclose anything that they have received from a third party that was utilized for writing a post. Many of you may recognize the unfairness of this, as TV, radio and newspapers have received promotional materials for years and don’t have to disclose this information. Between this, and a current law rolling through Congress that defines a protected journalistic source as someone that works and receives a paycheck for what they do (hence, no indy bloggers), the old establishment is doing everything it can to tie new media’s hands behind their backs.

So for the record, how many bloggers even collect a paycheck for what they do, let alone get freebies from a record label? Personally, I can count on one hand the number of times I have received promotional material from a label, and even then, I let them know point blank that I will not promote anything that I do not believe in. I can see the potential for a class-action lawsuit against the FTC on this, but when was the last time you paid money into the music blog lobbying fund? Yeah…me either.

- The new Usher? Good, but not great, although it’s a definite return to Confessions-style slowjams.

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