It’s time to do the Great Swami predictions for the Grammy Awards, and while I have some clear favorites, this year seems to be just a tad more difficult to predict, due to some bizarre wins over the past few years. I’ll give it a go here, but please let me know what you all think.
ALBUM OF THE YEAR
Alison Krauss & Robert Plant, Raising Sand (Prediction)
Coldplay, Viva La Vida (Pick)
Ne-Yo, Year Of The Gentleman
Lil Wayne, Tha Carter III
Radiohead, In Rainbows
While I gave the Ne-Yo CD a great review this past year, I just feel like he’s in over his head in this category. Lil Wayne pulled a great collection of tracks together, and Radiohead did their thing, but I really think this is going to be between the ubiquitous Coldplay and the critical darlings Krauss & Plant. The Nashville voting block has become much stronger over the past few years, so Raising Sand gets the edge.
BEST NEW ARTIST
Adele (Prediction) (Pick)
Duffy
The Jonas Brothers
Lady Antebellum
Jazmine Sullivan
My concerns of Adele and Duffy canceling each other out have faded, as Adele’s popularity peaked at exactly the right time. Everyone else’s efforts really feel like debuts, while Adele’s 19 has the soul of a veteran, and should triumph.
RECORD OF THE YEAR
Adele, “Chasing Pavements”
Coldplay, “Viva La Vida” (Pick)
Leona Lewis, “Bleeding Love”
M.I.A., “Paper Planes” (Prediction)
Robert Plant and Alison Kraus, “Please Read The Letter”
Since Record of the Year addresses production, you really have to give credit to Coldplay, who took their usual formula and gave it enough of a tweak to result in a truly uplifting record, but I have a hunch that M.I.A. will be the hipster pick of the night.
SONG OF THE YEAR
“American Boy,” William Adams, Keith Harris, Josh Lopez, Caleb Speir, John Stephens, Estelle Swaray & Kanye West, songwriters
“Chasing Pavements,” Adele Adkins & Eg White, songwriters (Pick)
“I’m Yours,” Jason Mraz, songwriter
“Love Song,” Sara Bareilles, songwriter
“Viva La Vida,” Guy Berryman, Jonny Buckland, Will Champion & Chris Martin, songwriters (Prediction)
The hardest category for me to pick, since all of the songs on this list appeared on my Top Songs of 2007 and 2008. From a songwriter’s standpoint, voters will be hard-pressed to vote for Estelle’s seven songwriters. I’m not sure that Adele and Sara have enough clout with their records, so the prediction comes down to Coldplay and Jason Mraz. Edge definitely goes to Coldplay, although Mraz was still on the radio when the voters got their ballots.
And to mix things up a bit…
BEST DANCE RECORDING
Daft Punk, “Harder Better Faster Stronger” (Prediction)
Hot Chip, “Ready For The Floor”
Lady Gaga & Colby O’Donis, “Just Dance”
Madonna, “Give It 2 Me” (Pick)
Rihanna, “Disturbia”
Sam Sparro, “Black & Gold”
With Kanye’s “Stronger” having been everywhere at the end of 2007, I fear that this live version of Daft Punk will get the nomination, but for my money, the true dance song on the list is Madonna. Having said all of this, Sam’s record seemed to be the hip “go-to” record at wildly different concerts throughout the year, so I’m wondering if there might not be an edge in there.
BEST ELECTRONIC/DANCE ALBUM
Brazilian Girls, New York City
Daft Punk, Alive 2007
Cyndi Lauper, Bring Ya To The Brink (Pick) (Prediction)
Kylie Minogue, X
Moby, Last Night
Robyn
Y’all know I love me some Robyn, and the album is terrific, but Cyndi’s record IS a dance album. Brilliant album, and should grab the Grammy. I wouldn’t be surprised to see Kylie pick this up, though. Dance seems to be the only category she can win in.
1. Adele/19 – I went back and forth between the top 3 for weeks, but in the end,
2. Jason Mraz/We Sing, We Dance, We Steal Things – Don’t get me started on this one. If Oprah can have her muses and advisors, then I call dibs on Mr. A-Z. “Live High” became my mantra, “I’m Yours” held multiple meanings through the year, “A Beautiful Mess” hit a little too close to home, and “Details in the Fabric” walked me through my darkest moments.
3. Will Young/Let It Go – I “found” Will this year. It’s not like I didn’t know who he was, but Will Young found a body of songs worthy of his interpretation. The title song moved me like few songs this year, and the rest of this opus didn’t disappoint, either. I may have to admire him from afar for years to come, but it will be worth the effort. Key tracks are “Changes”, “Let It Go”, “Love”, and “Won’t Look Down”.
4. Keane/Perfect Symmetry – Watching Keane grow as a group has been an interesting activity, especially with the way that their music has evolved. While many were more focused on watching lead singer Tom Chapin for some type of stumble after his time in rehab, I was more concerned about the music, and it didn’t disappoint. In addition, “Symmetry” inspired some pretty
5. Solange/Sol-Angel and the Hadley St. Dreams – I’ve seen a lot of slogging of Beyonce this year when Solange’s album is mentioned, and while I have my issues with “I Am…Sasha Fierce”, I won’t play into those negative comments. Solange was in the enviable position of having the money behind her as a new artist to create a record that had musical integrity, and she definitely made the most of it. “Sandcastle Disco” was a revelation, “I Decided” stands as a tribute to those Motown legends that paved the way, and “Cosmic Journey” turned out to be a perfect pairing between Solange and Bilal. Solange, you are now forgiven for your debut record.
6. Kanye West/808s & Heartbreaks – “Graduation” was my #3 CD last year, and it’s very possible that, had this come out earlier, “808s” may have been higher, but I hope that doesn’t detract from my respect for the disc. Kanye decided to take his pain and channel it into his work, and the results are, at times, breathtaking. “Paranoid” is a personal best for him, “Love Lockdown” is sonically stunning, and “Heartless” does a great job of bridging the gap between the current sound of hip-hop, and some new territory that only Kanye can take us to.
7. David Cook/David Cook – This disc was a grower, for me, as
8. Killers/Day and Age – For me, no release this year was as fraught with expectations as the Killers’ third CD, due to the amazing impact of “Human”. Would they be able to carry it off and deliver a consistent record, or would they have one flash of inspiration, surrounded by mediocre filler? Hopefully, you’ll gather my decision based on its ranking. “The World We Live In”, “Joy Ride”, and “Neon Tiger” all carried the torch. My only complaint about “Day” is the closing track, “Goodnight, Travel Well”, which just seems out of place. Anyone want to wager on Stuart Price coming back for disc #4?
9. Ne-Yo/Year of the Gentleman – I referred to this record
10. Keyshia Cole/A Different Me – Wow…the newest CD on the list, and I’m just blown away. Keyshia and her producers definitely stepped up, adding a level of sophisticated to her music that threatens to add credibility to the “next Mary J Blige” title that people have been throwing around for the past few years. Highlights include the trifecta of “Playa Cardz Right”, which features a downright spooky cameo from 2Pac, “Brand New”, and “Trust”, a beautiful duet with Monica.



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