It was a year ago this week that Lady Antebellum performed “Need You Now” on the Country Music Association (CMA) awards show, and we all know what happened after that. Fun fact…the song went top 10 in seven other countries beside the United States. I can’t think of a country artist that has done something close to that since Shania Twain ruled the pop and country charts in the late 1990s/early 2000s.
In the music business, it’s all about finding the next (fill in the blank). So where do you go when you have a country song that becomes such a smash that it goes 4x Platinum on sales of well over 4 million singles? I’ve been wrong before, but my money right now is on the next single from Jason Aldean’s fourth CD My Kinda Party entitled “Don’t You Wanna Stay”. And go figure, the song was performed on the CMA awards this past week…
I’ve been a fan of Jason Aldean’s way back since “Hicktown,” but it was “Amarillo Sky” that cemented the idea that this guy could connect with a country song with some depth. It is very clear that Aldean connects with “Don’t You Wanna Stay,” and big props to him for having the vision to ask Kelly Clarkson to take a song written for a solo artist and turn it into a killer duet. While I don’t know if this song will go worldwide, I don’t think it’s a big stretch to hear this song on Adult Pop stations, with an outside chance of Top 40 stations coming along for the ride. I saw the song get as high as #18 on iTunes, but it currently sits at #31.
The arrangement from the live performance buried almost every trace of “country” in the song, allowing the song to stand on its own as a well-written and well-sung song. You can call it country, country pop, modern country, whatever. At the heart of the song, it’s a pop song, and I mean that with as much respect as I can gather. Let’s see how John the Swami does this time around.









If you want a full, thoughtful recap of the VMAs, look no further than Rich’s amazing breakdown of the events (with some amazing screen caps) at
– I defeated myself with Janet, because the initial buzz made it sound like she was going to be the heart of this dance extravaganza, but cooler heads prevailed, and she did the most appropriate thing possible. The way they only used his part of the video dance scene, and then got the camera angle of her dancing with him in the right position, was perfection. My initial disappointment with the lack of Janet turned to relief that a) she didn’t embarrass herself; and b) she didn’t embarrass Michael.
– Lady GaGa, meet the jumping shark. Jumping shark, here’s your next victim.
– If anyone is going to get a sales bounce out of this show, I am hoping it is Muse, who completely deserves it. They rocked it out, and I will be looking for the CD coming out tomorrow. Oh, and Gerard Butler introduced them. Just sayin’.
Over the weekend, I had the pleasure of being introduced to the Cast Recording of
There are some pretty cool things going on here in the non-virtual world, so updates won’t be coming quite as regularly for the next week. Without going into too much detail, there are a couple of cool professional/academic challenges that need to be met, along with a top-secret mission in the personal life that will be accomplished by Sunday night. I’m hoping that I can fill y’all in next week. [BTW, the clock is in tribute to PSB, who are now up for pre-orders for their upcoming CD. It’s a good time to be a fan of pop music.]
What I would like to mention really quick is that, while folks were initially talking about Alison Krauss & Robert Plant, Jennifer Hudson, and Sugarland being the recipients of bumps, it looks like Adele really came out the big winner. Krauss & Plant’s current #1 is a given, but it’s been a long time since I’ve seen a Best New Artist pick up this much momentum off of a Grammy win without having significant success prior to the show. After having been blown away by the response that she received off of the Saturday Night Live performance, it looks like the record company did a perfect job of positioning her to peak at just the right time. The challenge at this point is how do you capitalize on this, because I’ve felt all along that “Chasing Pavements” was the only song that really stood a chance on pop radio here in America. Could “Hometown Glory” be a hit? I hope so, but I just don’t know.
ALBUM OF THE YEAR
BEST NEW ARTIST
RECORD OF THE YEAR
SONG OF THE YEAR
And to mix things up a bit…
BEST ELECTRONIC/DANCE ALBUM
Stumble It!