There are certain moments in my musical history that I remember very vividly: sitting with my mom as she observed the 10 minutes of silence after the death of John Lennon; my first concert (Level 42 opening for Steve Winwood); and two moments tied to George Michael and Andrew Ridgley, otherwise known as Wham! The first was the first time I heard “Wake Me Up Before You Go Go”, and the second was the moment I heard (via MTV) that they were breaking up.
First contact with Wham! occurred in the shower (stop that!), where I would always have the radio on in the morning. I turned on the radio, hopped in the shower, and “Go Go” was about halfway done. Instantly, I was hooked, and I practically tripped over myself to get to the radio to hear who had created this revelation of a song. Really, when you get down to it, the song structure is classic, and there is a definite retro vibe going on, but in a sea of New Wave and Hairy Metal, the song stood out like a diamond in a pile of coal. I owned that 45 within a week of hearing it the first time, although it took a while to get the full-length. That would come with “Careless Whisper”, which I could not get enough of.
Speed ahead about a year, and a Boy Scout trip to Philadelphia. “Everybody Wants to Rule the World” and “Everything She Wants” seemed to be on the radio every hour, and I was loving it. I was in full-on geek fandom mode, although being a boy in high school, I tended to keep it in check until I got home from school or my part-time job. I remember riding with my grandmother to go cross-country skiing that following winter, and she had the Wham! tape and the Woman In Red (because she loved “Part Time Lover”) soundtrack in her truck. Pretty cool grandma, eh? Even the “I’m Your Man” EP, which probably was my first maxi-cassingle, was completely played out. (“He’s great! He’s tough! Mr Ridgeley, do your stuff! Ahhhhhhhhhhhhhhhhhh!”) I forgot how much I loved that video, even with the cheesy subliminals.
In between Make It Big and Music from the Edge of Heaven, I discovered Fantastic, which didn’t quite have the same impact of Big, but it still had me with “Wham Rap”, “Young Guns”, “Club Tropicana”, and “Bad Boys”. It was as if they had released another album, although I was several years behind the curve on that one. However, I caught up fast after the MTV report on the breakup of the band. While I didn’t do anything stupid or get all emotional, I remember really being struck by this. It was if two newly-acquired friends had moved away, and I didn’t have any idea if I would see them again. This feeling has occurred a few times since then, but as cliched as it is, I guess you never forget your first favorite band breakup.
– Does it seem possible that Sandra Bernhard hasn’t released an album of new music in 15 years? Continuing to give credit where it’s due, Towleroad (and Modern Tonic) gave us a sneak peak of Sandra’s upcoming CD Whatever It Takes.
I LIVE for
The bigger question here is about how different one melody has to be from another melody to not infringe on copyrights. The whole “My Sweet Lord”/”He’s So Fine”
I’ve been feeling a bit left out of my normal circle of blogger friends lately, because so many folks are going hog wild over the upcoming
– Bedtime Stories remains my favorite Madonna CD. I played that bad boy out, and I never felt she was “selling out” by going R&B, because I felt like she pulled it off like it was a natural progression. Besides, “let’s get unconscious honey” has to be one of my all-time favorite lines in any song.
I have had a bit of a block on blogging the past week or so, and it has been compounded by the end of my toughest semester yet in school. In talking with Mike at
Popdose today posted a review of the
For about five years, I attended at least one show a year at Red Rocks. Alison Krauss, James Taylor, Tori Amos, Aimee Mann and David Gray…all of them just seem to fit the vibe of the space. Not everyone can pull off a show at Red Rocks, which seems to be the gist of the Rob Thomas article. (That, and the author seems to have it out for him, too) When the artist and the venue connect, it’s absolute magic. When Emmylou Harris hits THAT note, and everyone’s spellbound, the rocks just seem to reflect that magic back on to the crowd. If asked to pick my favorite concert venue, this is the one by a mile.
As a result of the magic, Red Rocks has become THE place for many artists to play. I have heard countless opening acts say “I have always wanted to play here”, and I believe them every time. When you look at an artist like U2, and how a live show at Red Rocks just catapulted their career here in the States, you have to believe that the magic can sometimes be bottled and taken out of the venue. Stevie Nicks got a good concert video out of it, although there was some extensive work to make it fully presentable, including live bits recorded without the crowd there. In fact, most live recordings get a LOT of enhancing. You’d be surprised by how much.
– Heard the
– Those of you who are Blake Lewis fans should head on over to 
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