No matter how much a person says they are open to all kinds of music, there is always going to be some kind of bias that keeps them from embracing every piece of music they hear with open arms, and I am no exception to that. Here are a few of the (possibly irrational) biases that I bring to the music-listening experience, for better or worse.
– Banjos in pop music – If someone can find a way to legitimately utilize a banjo in a pop song, I’m right on board. [See: “Rainbow Connection”, Jason Mraz] There is something about a banjo that just can’t sound depressing, and when you hear a banjo, chances are good someone’s having a good time. Except if you’re on the wrong end of the Deliverance equation.
– Toby Keith – Early on in his career, Toby Keith was the man. He came across as an everyman who was just trying to get through life without too many missteps, and songs like “Who’s That Man” and “He Ain’t Worth Missing” made for great country music in the 90s. And then 9/11 occurred. “Courtesy of the Red, White and Blue” is supposed to be a tribute to his dad and the United States in the aftermath of his father’s death and the terrorist attacks of September 11th. By his own description, he didn’t want to originally release the song himself, but at the request of the Commandant of the Marine Corps, he did record it, and the rest is history. What I DON’T think he had to do was wrap himself up in the flag as much as he did, and then attack the Dixie Chicks for Natalie Maines’s comment about being ashamed of then-President Bush while performing in England. By getting involved in that rumble, he ended up with a lot of people saying the same thing about him. Shouldn’t performers be able to express their own opinions, just like anyone else?
How much do I dislike Toby Keith? I won’t even buy a record by an artist on his record label.
– Perez Hilton – So stupid is this man that anything he touches is like Kryptonite to me. For example, PMN favorite Ida Maria, whose “I Like You So Much Better When You’re Naked” was one of the jams of last summer, is about to embark on a tour of the US, and normally this would be cause for rejoicing. However, she’s on the bill for a “Perez Hilton Presents” tour, and no amount of love would get me to purchase a ticket that his name appears on.
What caused this hatred? Take your pick…the whole Will.I.Am altercation in Toronto, the way he handled the fallout from the Miss America gay marriage controversy, his amazingly juvenile and vile website. As long as someone thinks that he is the spokesperson for the LGBT population, he will continue to be among my least-liked people. But you know who I like better because of him? Kelly Clarkson, who was also in Toronto at the time, and called a punk a punk in an interview the next day. We REALLY love Kelly.
– Internet buzz – Yes, I know I am a part of it at times, but there have been times where so much buzz has surrounded an artist that I find myself instantly against that artist, which isn’t fair, but it is what it is. A good example of that is LaRoux, who I didn’t get right away, and the chorus of angels bloggers singing her praises. It didn’t help that an unneeded rivalry was set up in the blogosphere between Roux and Boots, just like they did with Duffy and Adele a year earlier. (BTW, Team Adele FTW!) I know it happens, and I’m at least admitting that I succomb to it, but I doubt it will ever fully go away, given all of the info overload I get from my daily blogroll.
Speaking of Internet buzz, I think the new V Factory track has a chance at being their breakthrough single. But then again, I thought that about “Love Struck”. Props to Mel for sharing “Get Up”.
There are certain moments in my musical history that I remember very vividly: sitting with my mom as she observed the 10 minutes of silence after the death of John Lennon; my first concert (Level 42 opening for Steve Winwood); and two moments tied to George Michael and Andrew Ridgley, otherwise known as Wham! The first was the first time I heard “Wake Me Up Before You Go Go”, and the second was the moment I heard (via MTV) that they were breaking up.
In between Make It Big and Music from the Edge of Heaven, I discovered Fantastic, which didn’t quite have the same impact of Big, but it still had me with “Wham Rap”, “Young Guns”, “Club Tropicana”, and “Bad Boys”. It was as if they had released another album, although I was several years behind the curve on that one. However, I caught up fast after the MTV report on the breakup of the band. While I didn’t do anything stupid or get all emotional, I remember really being struck by this. It was if two newly-acquired friends had moved away, and I didn’t have any idea if I would see them again. This feeling has occurred a few times since then, but as cliched as it is, I guess you never forget your first favorite band breakup.
– Does it seem possible that Sandra Bernhard hasn’t released an album of new music in 15 years? Continuing to give credit where it’s due, Towleroad (and Modern Tonic) gave us a sneak peak of Sandra’s upcoming CD Whatever It Takes.
I LIVE for
The bigger question here is about how different one melody has to be from another melody to not infringe on copyrights. The whole “My Sweet Lord”/”He’s So Fine”
I’ve been feeling a bit left out of my normal circle of blogger friends lately, because so many folks are going hog wild over the upcoming
– Bedtime Stories remains my favorite Madonna CD. I played that bad boy out, and I never felt she was “selling out” by going R&B, because I felt like she pulled it off like it was a natural progression. Besides, “let’s get unconscious honey” has to be one of my all-time favorite lines in any song.
I have had a bit of a block on blogging the past week or so, and it has been compounded by the end of my toughest semester yet in school. In talking with Mike at
Popdose today posted a review of the
For about five years, I attended at least one show a year at Red Rocks. Alison Krauss, James Taylor, Tori Amos, Aimee Mann and David Gray…all of them just seem to fit the vibe of the space. Not everyone can pull off a show at Red Rocks, which seems to be the gist of the Rob Thomas article. (That, and the author seems to have it out for him, too) When the artist and the venue connect, it’s absolute magic. When Emmylou Harris hits THAT note, and everyone’s spellbound, the rocks just seem to reflect that magic back on to the crowd. If asked to pick my favorite concert venue, this is the one by a mile.
As a result of the magic, Red Rocks has become THE place for many artists to play. I have heard countless opening acts say “I have always wanted to play here”, and I believe them every time. When you look at an artist like U2, and how a live show at Red Rocks just catapulted their career here in the States, you have to believe that the magic can sometimes be bottled and taken out of the venue. Stevie Nicks got a good concert video out of it, although there was some extensive work to make it fully presentable, including live bits recorded without the crowd there. In fact, most live recordings get a LOT of enhancing. You’d be surprised by how much.
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