– Heard the new Madonna clip today, and I am liking what I hear. I can actually see this record getting some Top 40 play in the US in a climate where GaGa and Guetta are getting airplay. Speaking of the Lady, is it blasphemous to say that I hear shades of her (or maybe RedOne) in “Celebrate”?
– While we are talking about pop tarts, is Girls Aloud actually broken up? I thought from all the blog reports that they were, but they say otherwise. I love that Cheryl is working with will.i.am. Can anyone say “Fergalicious”?
– Those of you who are Blake Lewis fans should head on over to myxer.com to check out the ringtone for “Sad Song” that is available. The chorus sounds REALLY promising, and hints at the more dance-leaning stuff from the first record. I am officially psyched for the rest of his material now. He has also officially posted his album title as Heartbreak on Vinyl (I’d like to say you heard it here first, but I have no proof) on his official webpage.
– Tracks I currently love: “Remedy” from Little Boots, “Beat Again” by JLS, The Gossip’s “Pop Goes the World”, and “Meet Me Halfway” from the Black Eyed Peas. I may be digging the leaked sophomore CD from an American Idol winner, but maybe I’m not.
– Yet another attempt by Yuri and myself to find relevance has been posted this week. Read at your own peril.
One of the top contenders for “Club Jam of the Summer” has to be David Guetta’s collaboration with Kelly Rowland on “When Love Takes Over”. Who knew that it would take a dance track to make Kelly Rowland relevant again? Well, that actually wasn’t as far of a stretch as you might think, given the fact that it was her remixes of “Work” and “Daylight” that made her last effort relevant. The single is at #6 on the Club Play chart and #53 on the Pop 100 Airplay chart, so this is shaping up to be a mainstream smash. Check out the video and leave some feedback. If this isn’t your jam for the summer, what is?

– Just got word today that Little Boots has been signed to the newly-reactivated Elektra imprint here in the U.S., along with Justice and Cee-Lo. That’s a triple-bill I would love to see in concert…can we work on a kick-off concert?
– A current obsession of mine at the moment is Daniel Boys, who a few of you might know from his duet with John Barrowman on “I Know Him So Well”. Those of you in the UK into musical-based reality shows will know him from “Any Dream Will Do”, where he placed fifth overall. Daniel is about to return to the West End in the male lead of “Avenue Q”, the same day that his debut CD comes out in the UK. The CD is a mix of pop covers and songs from musicals, and while I think the quality is a bit inconsistent, overall I do enjoy it. You can get an autographed copy
So Daniel Merriweather’s got a second hit this weekend as a solo artist with “Red”, which is a precursor to his full-length Love & War, due June 1st. I’m pleased to see this, and also a bit surprised. “Change” came in at #8, and given all of the hype that had surrounded the guy, it was seen by some as a bit of a disappointment. As
It’s funny how different groups of friends will ask about different aspects of the London trip. Work folks tend to ask about monuments and sights, family asks about the quality of the trip and whether I enjoyed it, and blogger friends ask about what I bought at the record shops.
While it wasn’t my plan when I went in, I ended up finding CDs for other friends that I was going to give as souvenirs, instead of shot glasses or thimbles. One friend who is a huge ABBA fan is getting an Agnetha CD and a pre-success ABBA CD (“Ring Ring”). Another friend from Indiana will be receiving a Hoosiers CD. Those of you in the US should understand the joke; for those outside of the US, Indiana’s population is referred to as Hoosiers.
One of the most talked-about songs at Country radio right now is John Rich’s “Shuttin’ Down Detroit”, which tells a tale of the fat cats in the Motor City driving off with the livelihood of the folks who work in their factories. You know, noble idea to document a real-life situation in real time. However, Rich decides to wrap himself in some pretty lame cliches, and the result is an overblown, lowest common denominator track that misses any sense of balance whatsoever. But if you think that sounds lame, 
Stumble It!