If you want a full, thoughtful recap of the VMAs, look no further than Rich’s amazing breakdown of the events (with some amazing screen caps) at fourfour, because he gets almost all of it. I disagree slightly on one or two points, but overall, he needs to get out of my head right now.
Having given you the full breakdown, there are a couple of things that I feel compelled to highlight.
– Madonna, for all of her bad choices of late, is being hailed as a class act for her introduction. Leave it to me to throw cold water on that one. Her intent may have been good, and I believe she was completely sincere in her commentary, but to create this intense bond via the similarities of their circumstances, and then use it to say “he was more fucked up than I will ever be, but I hold myself (and all of you) responsible for his downward spiral” seemed a tad arrogant to me.
– I defeated myself with Janet, because the initial buzz made it sound like she was going to be the heart of this dance extravaganza, but cooler heads prevailed, and she did the most appropriate thing possible. The way they only used his part of the video dance scene, and then got the camera angle of her dancing with him in the right position, was perfection. My initial disappointment with the lack of Janet turned to relief that a) she didn’t embarrass herself; and b) she didn’t embarrass Michael.
– Speaking of Janet, after the show, she released a new song on her website that I am really enjoying. “Make Me” harkens back to that disco vibe of “All for You”, which leads me to believe that this is a product of her revived connection with Jimmy Jam and Terry Lewis. More please!
– I’m torn on the best performance of the night. P!nk’s high-flying acrobatics to “Sober” were truly impressive, but for sheer fun and impact, Beyonce won me over with her army of “Single Ladies”. I got a bit of a kick out of Green Day inviting the entire audience up on the stage at the end of their song, too. Boos to the security gorillas dragging people off the stage after the invite.
– Lady GaGa, meet the jumping shark. Jumping shark, here’s your next victim.
I actually LAUGHED at the “death” scene. The blood was so hilarious to me that I am sure people in the next house over heard my guffaws. Note to GaGa…if you’re going to simulate a death and hanging on a family-rated awards show, use some subtlety. This is coming from a fan, so don’t take this as just another hater. Just calling it as I see it.
One more thing…Eminem got what he deserved when he realized that he would HAVE to hug the Lady out of protocol. Karma’s a bitch, bitch.
– I’m sure this won’t be a surprise to anyone, but I will go to the movie theater to see This Is It. For as ghoulish as he looks in parts of the trailer for the movie, it’s going to be a spectacle, and I will be there to see it.
– If anyone is going to get a sales bounce out of this show, I am hoping it is Muse, who completely deserves it. They rocked it out, and I will be looking for the CD coming out tomorrow. Oh, and Gerard Butler introduced them. Just sayin’.
– One final note…reason #74 why we love Kelly Clarkson.
I LIVE for
The bigger question here is about how different one melody has to be from another melody to not infringe on copyrights. The whole “My Sweet Lord”/”He’s So Fine”
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I have a friend that is heading out to London in two weeks for the start of a European vacation, and he put out a general call for suggestions on what to read while he is on vacation. Instantly, I had a suggestion, based on my own leisure reading during my trip. 

– Just got word today that Little Boots has been signed to the newly-reactivated Elektra imprint here in the U.S., along with Justice and Cee-Lo. That’s a triple-bill I would love to see in concert…can we work on a kick-off concert?
– A current obsession of mine at the moment is Daniel Boys, who a few of you might know from his duet with John Barrowman on “I Know Him So Well”. Those of you in the UK into musical-based reality shows will know him from “Any Dream Will Do”, where he placed fifth overall. Daniel is about to return to the West End in the male lead of “Avenue Q”, the same day that his debut CD comes out in the UK. The CD is a mix of pop covers and songs from musicals, and while I think the quality is a bit inconsistent, overall I do enjoy it. You can get an autographed copy
Nothing like spoiling a memory, right? I went back to Virgin this evening after having seen a new sign advertising that the discounts went up. Grabbed a CD (the full-length on the J-Mac Reloaded), a camera case (for the London trip), and this very cool DC superheroes t-shirt, and headed to the register. Turns out that they were putting the signs up for the next day, and they wouldn’t honor the new percentages. Bastards! On top of that, the t-shirt was less than the “at least” percentage that had been listed prior. So not only are the owners of Virgin getting out of the music business because they can make more money as landlords, they also feel the need to resort to deceptive tactics to get folks in the store. Honestly, if you’re closing the doors in 5 days, you would think the percentages would be higher than they are, but it’s their fire sale.
Work, school, weather, life…that’s all I’m gonna say.
Store #1 was 






So what impact does chart position make on the labels? I’m guessing increased revenue trumps reduced chart position every time. However, the old guard of the business still hangs onto that chart position like a geriatric with the last crab leg at a casino buffet. So this should be interesting…I wouldn’t be surprised to start seeing the old cassette single pricing strategies come back into play. Put a single out, and then when you’ve got the promotion all in place, just drop the price to 99 or even 49 cents, and watch that single shoot to #1. This music business thing is never boring, is it?
The planned closures of the Virgin Megastores in Times Square and Union Square in New York City and the Market Street store in San Francisco are the beginning of the final wind-down of the Virgin Entertainment Group North America. Over the next few months, the company also plans to shutter its other three stores in Orlando, Fla., Denver and Los Angeles, with the company expected to be liquidated sometime this summer.
Last Saturday, I got to stop in and browse a little bit, which hasn’t happened much recently, and it seemed like every catalog item was on sale. I didn’t buy much (Alison Moyet’s “Singles” for $5), but in a weird way, it was comforting to wander around the store, listen to Snow Patrol on the overhead, and check out all of the listening stations with music that most people will never care about. I have always coveted the time I’ve spent in record stores, even after I escaped the retail rat race, and to see that opportunity go away is not a pleasant thought to me. The whole “world of music at your fingertips digitally” is great when I know what I’m looking for, but for me, there will always be a longing for a more tangible music experience.
Stumble It!